Dimensions: 26×40
Materials: Gold Paint, Acrylic Paint, and Paint Pens on Plexiglass and Wood
This is a complicated piece. It started as a collaboration with fellow artists, one of those Artists passed away a few years ago. This piece is about angry guys exploiting women because of traumatic childhoods. The exploration of feelings related to a mother/father wound, a significant other wound, or simple rejection has the power to disintegrate. As such, the piece is fragmented like a collage or tapestry of images.
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The Downside-Up
The upside down cow (subject matter) is recognizable yet disorienting. To expand on this idea, the gold leaf along the cracked gap calls attention to the broken. The fragility & brokenness of life is recalled intrinsically when observing the tombstone. Nothing is as it should be, but we’re still here.
Camp-O 2020
Empty seats welcome viewers to sit down and pause for a moment. Then, admire God’s natural beauty on a typical misty day in Maine. Lose track of time; is it morning, afternoon, or early night? The cool summer dew smells wet. Lock the memories. Remember. Breathe.